Sartoni Antique Prints

    Member of ANZAAB - Australia

    Antique Prints Australiana Botanical Art & Prints Maps New Zealand Tasmaniana

Sartoni Prints was established by Jader Sartoni in Paris in 2004, continuing his family's history as book and print dealers in both Paris and Italy, from early 1920s. Situated near Hôtel Drouot auction house, Jader specialised in old master and decorative prints, maps, drawings - extending to Japanese prints and tribal art . Now based in Brisbane, Sartoni Antique Prints also continues to maintain a presence in Europe.

Contact Information
Phone: +0411 735 773
Website: https://sartoniantiqueprints.com/

Highlights
1642, THE FLUTE-PLAYER (het Uylenspiegeltje), REMBRANDT HARMENSZOON VAN RIJN, Etching and Drypoint.
$36000
REMBRANDT HARMENSZOON VAN RIJN (Leyden 1606-Amsterdam1669) Dutch school “THE FLUTE-PLAYER” (HET UYLENSPIEGELTJE) 1642 Etching and drypoint DESCRIPTION: A young couple resting beside a stream, the man playing flute with an owl perched on his shoulder, the girl making a flower garland at left. Shepherds do more than their fair share of walking, but their lives also provide ample opportunity for relaxation. It represents an amorous situation and Rembrandt played... NOTE: Fourth state of four, without the face among the branches. Barstch 188, Hollstein Dutch 144,New Hollstein 211.
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“BEAUTY WITH UMBRELLA" c.1830, KIKUKAWA EIZAN, Japanese Woodblock.
$1750
KIKUKAWA EIZAN (1787-1867) “BEAUTY WITH UMBRELLA" c.1830 Woodblock printed in colours DESCRIPTION: Kakemono-e (2 oban prints assembled vertically), depicting a Bijin walking with her umbrella in her kimono. Signed at right. Rare. NOTE: Original woodblocks printed in colours on rice paper. Kakemono-e (two oban assembled vertically). Rare. SIZE: 755mm(H) x 245mm(L) CONDITION: Very good impression. Paper slightly yellowed homogeneously, due to exposition to light (always the case with highly decorative kakemono-e format). Colours slightly faded. Otherwise in very good condition.
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1883 “UESUGI KENSHIN NYUDO TERUTORA”; TSUKIOKA YOSHITOSHI, Woodblock.
$1750
TSUKIOKA YOSHITOSHI (Edo 1839- Ryōgoku 1892) “UESUGI KENSHIN NYUDO TERUTORA” [UESUGI NO TERUTORA RIDING INTO BATTLE] 1883 Woodblock printed in colours DESCRIPTION: From the series “Yoshitoshi Musha Burui” (Yoshitoshi’s Courageous Warriors). Fantastic portrait of Kenshin, seen riding nobly into battle on horseback, surrounded by billowing plumes of smoke. NOTE: Signature: Taiso Yoshitoshi ga. Publisher: Kobayashi Tetsujiro. First edition: Three-colour cartouche; Two red seals and publisher address in blue at bottom left.
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HENRI MATISSE [after] “LE CHEVAL, L’ECUYÈRE ET LE CLOWN” “ICARE” “L’AVALEUR DE SABRES”, 1947, supplement for the magazine "JOUR DE FRANCE".
$2500
HENRI MATISSE [after] (Le Cateau-Cambrésis 1869- Nice 1954) “LE CHEVAL, L’ECUYÈRE ET LE CLOWN” “ICARE” “L’AVALEUR DE SABRES” 1947 LITHOGRAPHY DESCRIPTION: “The Horse, The Rider and The Clown”; “Icarus”; “Sword Swallower”; Advertising for the series “JAZZ”. Three lithography on two sheets with text at verso. Supplementary publication for the magazine “JOUR DE FRANCE” to advertise the publication of the illustrated book “Jazz” by Henry Matisse. Printed by Tériade in Paris, 1947. SIZE: 315mm(H) x 490mm(L) [both sheets]
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ROBERTO MATTA [Chilean], “NYMPHEE”, 1979; Original Etching & Aquatint.
$1800
ROBERTO MATTA (Santiago 1911- Civitavecchia 2002) Chilean artist “NYMPHEE”, 1979 ETCHING & AQUATINT PRINTED IN COLOUR DESCRIPTION: "Nymphee" is a colourful Roberto Matta large etching from his portfolio “Requiem pour la Fin des Temps”. Signed and numbered in pencil with the publisher blind-stamps “George Visat” lower right and “Galleria dell’Incisione Milano” lower left. NOTE: Etching and Aquatint printed in colours on "ARCHES" wove paper. Signed in pencil by the artist. Numbered 58/100 lower left; limited edition of 100. SIZE: 420mm(H) x 320mm(L) [plate] 648mm(H) x 495mm(L) [sheet]
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GIOVANNI BATTISTA PIRANESI, "LA TOMBA DI NERONE" [THE TOMB OF NERO]; From "GROTTESCHI".
$2750
GIOVANNI BATTISTA PIRANESI (Mogliano Veneto 1720-Roma 1778) Italian school. "LA TOMBA DI NERONE" [THE TOMB OF NERO] c.1750 [c.1807 Paris edition] TECHNIQUE: Etching, Burin, Drypoint & Burnishing DESCRIPTION: "The Tomb of Nero", from the series called “I GROTTESCHI” (Grotesques). In 1750 Piranesi collected in a miscellaneous volume published at the expense of the editor Giovanni Bouchard a collection of the works engraved by him up to that moment, some already published, others unpublished. The volume was published with the title serie"Opere Varie di Architettura Prospettive Grotteschi Antic...
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”GOAT AND RHODODENDRON", 1933c., LIONEL ARTHUR LINDSAY.
$1650
LIONEL ARTHUR LINDSAY (Creswick 17-10-1874/Hornsby 22-5-1961) ”GOAT AND RHODODENDRON" c.1933 Wood Engraving DESCRIPTION: A profile of a goat in bust, looking toward left between rhododendron flowers. One of Lionel Lindsay's most well-known and sought after wood engravings. This is considered to be one of Lindsay’s most renowned wood engravings for technical execution. Last of Lindsay's goat subjects and most highly stylised. NOTE: Signed in pencil lower left. Numbered 100 lower right (edition of 100). Mendelssohn p.154. CONDITION: Excellent impression printed on thick ivory wove paper, mounted
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"I CARMI DI CATULLO" - FILIPPO DE PISIS, illustrated with 17 original lithograph by the artist.
$5800
"I CARMI DI CATULLO" - FILIPPO DE PISIS Scelti e nuovamente tradotti in versi da Vincenzo Errante e decorati con litografie da Filippo De Pisis. Verona, Officina Bodoni/Milano, Ulrico Hoepli, 1945. Small folio (38.8 x 28.5cm); 170 unnumbered pages, printed on Fabriano handmade paper with uncut margins. With 17 original lithographs by Filippo De Pisis, 14 of which are full-page, tipped-in, and the others in the text. Bound in half canvas with a title tag on the spine and pink Ingres paper quadrants, canvas cardboard slipcase. Edition of 150; The copy presented here bears the number 135.
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